Thursday, December 21, 2006

2007 Lulu Blooker Prize

Already busy pecking on your keyboards or writing furiously on your notebooks? Hurry up, guys! The deadline for entry to the 2007 Lulu Blooker Prize is a month away! All entries must be postmarked by Monday, January 15, 2007 to be considered for the Prize. To enter, visit www.lulublookerprize.com and fill out the entry form.

Remember, a printed copy of the completed entry form must be mailed with one copy of your blook.

Send your submission to:

The Lulu Blooker Prize
860 Aviation Parkway
Suite 300
Morrisville, NC 27560
USA

Refer to the Official Rules for the complete list of eligibility requirements. If you have any questions, send e-mail to blookerprize@lulu.com.

Friday, December 15, 2006

The Jargon-Free Writing Paradox

EzineArticles.com publisher Chris Knight presents the jargon-free paradox:

If your articles are completely free of jargon, how will you be able to communicate your expertise to your ideal reader who would have most likely understood the jargon?

Chris shares his thoughts about jargon use in this article.

Friday, December 08, 2006

Online media poll

Dear Fellow Writers,

I'd like to invite you to participate in a poll I created for Online Media Beat. The poll question is "On which medium do you prefer to read news?" The poll is on the sidebar. :-)

Thanks & make a great writing weekend!

Friday, December 01, 2006

Readers Digest sold for 1.6 billion

Reader's Digest has been bought by Ripplewood Holdings, owner of World Almanac and Weekly Reader, for $1.6 billion.

Ripplewood Holdings is taking over the magazine's 50 editions, printed in 21 languages, boasting around 80 million readers worldwide.

Read full article >

Thursday, November 30, 2006

Fiction Writing Award for Moms

To all you [writing] moms out there, the Mom Writer’s Literary Magazine is accepting submissions for their short fiction writing contest until December 1st, 2006. You may submit work of any genre with a word limit of 1,200.

The stories submitted will be judged by MWLM Editors, and the grand prize winner will receive $100. Send your submission to editor@momwriterslitmag.com. No attachments, please. :)

Writing Quote: Do What Works

There are so many different kinds of writing and so many ways to work that the only rule is this: do what works. Almost everything has been tried and found to succeed for somebody. The methods, even the ideas of successful writers contradict each other in a most heartening way, and the only element I find common to all successful writers is persistence: an overwhelming determination to succeed.

- Sophy Burnham, author of A Book of Angels

Tuesday, November 14, 2006

NaNoWriMo Young Writers Program


Young writers, you can join NaNoWriMo too! How? By pitching the NaNoWriMo Young Writers Program to your teachers or librarian. You can do this in Nine Easy Steps.

Just make sure you tell your parents about it, okay?

Good luck!

Thursday, November 09, 2006

HarperCollins, FanLib launch online writing contest

Be an e-book author!

HarperCollins and social media company FanLib have teamed up to launch an online writing contest that gives writers a chance to publish their work as an e-book.

More juicy details here.

Monday, October 23, 2006

Just moved in

Sorry for the long absence of posts. My husband and I just moved in to this new and better place. It's been a week of setting up house, and unpacking and discarding stuff. I hope to resume writing and blogging soon.

In the meantime, you all make a great writing week!

Tuesday, September 26, 2006

The Muse Online Writers Conference

Dear Writing Colleagues,

This is something new and exciting, so I thought I'd share this with you.

This October, The Muse Online Writers Conference will offer writers from around the world the unique opportunity to not only gain resources that can enhance their craft, but help them make contacts and hopefully achieve the one thing all writers seek--to be better writers and get published!

Read more...

Tuesday, August 01, 2006

Workshops for Asian American Writers

The Asian American Writer's Workshop has released a new batch of writing workshops for Fall 2006. This includes:

  • Memoir Workshop with Amitava Kumar
  • Intensive Playwriting Course with David Henry Hwang
  • Short Story Workshop with Susan Choi
  • Speed Dating Round 2: Short Story Clinic
  • Youth Workshop: 51%: A Female Journalists Initiative

Workshop details are here. Enjoy the Fall!

Wednesday, July 19, 2006

Golden Journey Short Story Competition

WriteStuffWriters.com has launched the Golden Journey Competition, a 1,500-word Literary Short Story competition. Categories include Fiction/Children/Young Adult Fiction, and Memoirs.

If you become one of the Grand Prize winners, you will receive a publishing contract and the title of Published Author. Whoa! ;o)

You can send multiple entries for this competition. You pay $20.00 per entry. Good luck! Let me know if you win.

Thursday, July 06, 2006

Write On Your Notebook

In this age of laptops, thumb drives and pocket PCs, most writers still find themselves lugging a small notebook and a pen wherever they go. Technology is good but, so far, no gadget has provided the joy of seeing your thoughts flow through a pen’s ink and making an imprint on a clean sheet of paper. It’s like seeing a tangible proof of your written work.

Get a cheap notebook and a smooth-writing pen from the stationery store and begin writing. Write about the smell of dried fish that comes out from your neighbor’s window every morning. Write about the old lady who sits on the yellow park bench at 3 p.m. every day. Write about your first sexual experience. Write about things that frustrate you. Go out and listen to conversations at the supermarket. Write down your observations and ideas in longhand. You will have ample time with your keyboard later.

Natalie Goldberg wrote in Thunder and Lightning:

“Pressing keys is a different physical activity from writing by hand. A slightly different angle of mind comes out, not better or worse, only different. But … don’t ever lose your ability to hand-write — someday you may not be able to pay your electric bill or you’ll be in the woods by a stream and want to write, or like me, at a library or café. Even though we drive a car, we can’t forget how to walk. The same is true with a computer. It’s still good to stay in touch with the clutch of a pen and the texture of a paper.”

Thursday, June 29, 2006

Tuesday, June 27, 2006

Thirty Tools for Writers

Roy Peter Clark of the Poynter Institute has added ten more tools to sharpen a writer's saw. These tips are useful for writers and editors who want to continually hone their skills. Use these tools and keep them in your own Writer's Toolbox.

Clark says

"At times it helps to think of writing as carpentry. That way, writers and editors can work from a plan and use tools stored on their workbench. A writer or coaching editor can borrow a writing tool at any time. And here’s a secret: Unlike hammers and chisels, writing tools never have to be returned. They can be passed on to another journalist without losing them."

Collect them all!
All the tools you need to be a better journalist.

Monday, June 26, 2006

Share Some Comfort

Call for Submissions

A Cup of Comfort is a bestselling anthology series featuring compelling true stories about the experiences and relationships that inspire and enrich the lives of many readers. Engaging personal essays written by people from all walks of life are carefully selected for inclusion in A Cup of Comfort based on originality, creativity, emotional impact, and substance.

You can read guidelines and some tips for writing here.

Thursday, June 22, 2006

Understanding Rejection Slips

by Jennifer Minar

You think you've nailed it.

You watch for the postman day after day, and finally he arrives with the SASE envelope you so lovingly sealed weeks before. Your heart pounding, you run to the mailbox (in your towel) and snatch it out of his hands. It feels awfully light, but you ignore that minor detail.

You dash back into the house and slam the door behind you. Letting the towel slip to the floor, somewhere between the foyer and living room, you now stand next to the kitchen counter.

Taking a deep breath, you pry it open. Then you read: Dear author, "Thank you for your submission. However this piece is not for us…"

Your breath catches in your throat. You feel your spirit being sucked from your very being. Reaching for your towel, you curse angrily. What does this person know anyway? He doesn't know me! But as your anger subsides and you realize that there's a reason this person is in the position he's in, you ultimately begin to do the worst thing possible: you begin to question your worth as a writer.

Why do you put yourself through this torture? I'll tell you why...because rejection slips go with the territory. For a writer, rejection slips are simply a rite of passage--and by understanding what they are and what they aren't, you may not only ease some of the pain, you'll grow as a writer.

All writers suffer rejection. Yes, even the greats. An editor from the San Francisco Examiner sent this in a rejection letter to Rudyard Kipling: "I am sorry, Mr. Kipling, but you just do not know how to use the English language." Even e.e. Cummings wasn't immune to rejection. Did you know it was Cummings' mother who first published his poems after a dozen publishers rejected them? Beatrix Potter's The Tale of Peter Rabbit was rejected at least six times before she published it herself. If these acclaimed authors faced rejection, why wouldn't you or I?

Rejections aren't personal. Publishing is a business, not an art. If the agent or editor thinks he can sell your idea or manuscript, he'll buy it. Perhaps your piece wasn't for that editor, that particular day. Maybe he had a similar piece in queue. In fact, there are many trivial factors that determine whether or not a publisher decides to buy your book. Most times it doesn't have anything to do with the quality of your manuscript. So don't take it personally.

Value criticism. If an agent/editor scribbles a note on your rejection letter, pay attention! More often than not, writers are simply sent a form letter, left to wonder why a piece was rejected. If he scribbles some advice, don't discount it just yet--there may be some merit to it. For instance, if you repeatedly get rejections on a certain piece, or a comment is made by more than one editor, you will want to consider the possibility that maybe it's not sharp enough...yet. Conversely, do not make changes you do not feel are right. Talk to someone who has read your work, and find out what they think about the suggestion.

Rejections should be seen as a sign of accomplishment. Rejections are a sign that you're working hard. Be proud that you actually wrote something, polished it, researched your markets, and mailed it out. That, in itself, is an accomplishment. Most people will go to their graves with the unrealized intention of getting this far!

Don't let rejection slips slow you down. You're chasing your dream--and if you want it badly enough, you won't quit. You'll keep chasing it until you catch it.

Jennifer Minar is a Washington, D.C.-based freelance writer and the managing editor of Writer's Break. She can be contacted at jminar@writersbreak.com.

Friday, June 09, 2006

Feature Article: What is a Ghostwriter?

by Gary McLaren

Do you believe in ghosts?

They are mostly unseen. Unnoticeable. And believe it or not they are moving behind the scenes in the publishing industry. If you're lucky you might catch a fleeting glimpse. They are officially called 'ghostwriters'.

A ghostwriter is a writer who writes on an assigned topic under someone else's name, with their consent. They often write books completely from scratch but sometimes their work involves rewriting or polishing an existing work.

Most books by famous personalities are actually written by ghostwriters. When you see an autobiography or memoir from a politician, businessperson, or celebrity, chances are that it has been written by a ghostwriter.

Here are a few examples. The autobiography "Ronald Reagan: An American Life" was ghosted by Robert Lindsey. "Learning to Sing", the autobiography of American Idol star Clay Aiken, was written with ghostwriter Allison Glock. The autobiographies of Doris Day and Sophie Loren were written by A.E. Hotchner.

So how popular is ghostwriting? Statistics are hard to come by since many people don't want to reveal that their book is ghosted. Some industry estimates suggest that up to fifty percent of all non-fiction books are ghostwritten.

A client may decide to hire a ghostwriter because the client does not have any writing talent or because they are too busy. Ghostwriters, for their part, are usually well-established writers already, and are selected on that basis.


What do Ghostwriters Write?
Ghostwriters are hired to write many types of documents, from autobiographies for famous personalities to e-books for internet marketing gurus, and even letters for politicians.

They also write fiction. Sometimes it is for a series of books written by several ghostwriters under one name, as with the stories of Nancy Drew or The Hardy Boys. Ghostwriters also continue to write novels under the name of popular authors who have died, as in the case of Robert Ludlum.

Is Ghostwriting Ethical?
Although ghostwriting is a widely accepted practice within the publishing industry, some people outside of the industry complain that ghostwriting is deceptive. But that is not necessarily true. Consider for a moment the ghostwriting process. The client is the author of the work in that they are the person who is really behind the content. It is the client's ideas, the client's stories and experiences. It is the client's words recorded on hours of interview tapes. The ghostwriter is a professional consultant providing expertise in the area of bringing together all the information, organizing it, and writing it up in a way that will produce a marketable and readable masterpiece.


What Skills does a Ghostwriter Need?
A ghostwriter must be a good writer.

He or she should also have good interviewing skills, since they will spend many hours and days interviewing clients. They should have the ability to ask good questions that will draw out the best aspects of a story.

Another skill - which may need to be developed - is the ability to maintain the client's voice so that the book reads like the client, not the ghostwriter.


How is a Ghostwriter Paid?
Ghostwriters usually charge a flat fee for their work.

Sometimes they will reduce their ghostwriting fee in return for a percentage (perhaps 25-50%) of the royalties, or in rare cases they may waive their fee in return for a percentage of royalties.

The advantage of a flat fee is that a ghostwriter knows exactly how much he or she will be paid. The risk of relying on royalties is that even if the book is well-written, the ghostwriter has no control over the book's marketing and promotion.


Does a Ghostwriter get Any Credit?
More often than not, the public never knows that a book was ghostwritten. Sometimes ghostwriters are even legally bound to not reveal that they have ghosted a particular book.

Occasionally ghostwriters will receive some credit. The writer's name may appear on the cover as a co-author or it might read "as told to Jenny Ghost." Another way to thank the ghostwriter is under the acknowledgements, for example "...and thanks to Joe Ghoul without whom this book would never have been completed".


Are You Thinking of Becoming a Ghostwriter?
It could be an excellent career move. You've probably heard it said that everyone has a book inside them. Well, the fact of the matter is that not everyone has the time or the skill to write it.

As long as there is a story to be told, ghostwriters will continue to be in demand.


© Copyright 2006 Gary McLaren.

About The Author

Gary McLaren is the editor of Worldwide Freelance Writer, a leading source of information for freelance writers. If you would like more information on starting a ghostwriting business, check out http://www.worldwidefreelance.com/i/58.htm

Wednesday, June 07, 2006

Pointers for Interviewing

As I was rummaging through old files and notes from graduate school, I came across this list of pointers for interviewing. The tips are useful, practical and humorous, so I thought I'd share them with you.

Note: Some are taken from Dr. Ink of the Poynter Institute.

When conducting an interview, remember to do the following:

  1. Shut up.
  2. Shut up some more.
  3. Work from a list of questions and never veer off.
  4. Shut up again.
  5. Get there early. Stay late. Take note of the surrounding.
  6. Interview a person on his or her turf.
  7. Ask for other sources e.g. articles about the topic, photos, etc.
  8. Write down things you see and not just the answers to the question.
  9. Use your notebook to show that you are conducting the interview.
  10. Put your notebook away in the end, but keep on talking. Ask follow-up questions. A surplus of information is better.
  11. Hang around and watch the person interact with others.
  12. Ask the most important questions more than once and in different forms.
  13. Ask the slam-the-door (controversial and sensitive) questions last.
  14. Shut up. Listen to the interviewee.
  15. Fill out or copy your notes as quickly as possible.
I've made it a habit to review these pointers before conducting an interview. They do help a lot, especially when you're not working around with a camera or a recorder. I just have to remind myself every now and again to shut up. ;o)

Thursday, March 23, 2006

Helpful Online References

You may find that your search engine yields a gazillion online references from dictionaries to encyclopedias to maps. You don’t have to wade through all those, of course. Here’s a short list of online references that can help your web writing and research.

» via OnlineMediaBeat.com

Wednesday, March 22, 2006

Handy References

The writer on a roll doesn't have to go rolling down the street just to get information that can be readily available and is literally at an arm's length. Get these handy references and save on time and energy:

Dictionary. I'm a huge fan of Oxford and Cambridge dictionaries so I personally recommend them. But I would say that Merriam-Webster's Collegiate Dictionary is just as good. You can choose to have both print and CD versions of your dictionary of choice as long as you can easily find the word that you're looking for.

Thesaurus. Remember that this is as indispensable as the dictionary. You can also get a print or a CD version of this. I personally recommend Roget's Thesaurus. Don't rely on your word processor's thesaurus -- it sometimes gives the wrong advice. ;o)

Dictionary of English Usage. Make sure that you're using the right word in the right context. When in doubt, consult a dictionary of English usage. I use Merriam-Webster's Concise Dictionary of English Usage. Other writers prefer Fowler's Modern English Usage. Take your pick.

Desk Encyclopedia. I recommend a desk edition of encyclopedia just for quick reference. You can always resell your copy a year later and get an updated edition. Of course, it's best if you can get a CD version of your favorite encyclopedia.

Grammar Book. It's good to refresh your knowledge of grammar once in a while, sans your scary grammar school teacher. I personally use grammmar books published by Oxford. But you can use any grammar reference which you're most comfortable with --even the one that you used during your freshman year at the university.

Style Guide. Every writer must have one. I personally recommend the Chicago Manual of Style for everything - books, newspapers, magazines, technical documentation, web writing, etc. If you're bent on technical writing, though, try the Microsoft Manual of Style for Technical Publications.

Wednesday, March 01, 2006

March 1 - 7 is National Ghostwriters Week

[Press Release via NewsReleaseWire.com]

Give Your Book the Ghost of a Chance: March 1-7 is National Ghostwriters Week

Ridgeland, SC 29936
February 28 2006

Almost 50 percent of all books and countless articles in magazines and journals are written by ghostwriters—professionals who create long and short pieces for clients who don’t have the time or the skills to commit their ideas to paper. Though ghostwriters’ names don’t appear on the books and articles they write, they are true Renaissance men and women, whose wide array of clients typically makes them knowledgeable about a great many things, from real estate to pirate lore. In honor of these unsung heroes of the printed word, March 1-7 has been declared National Ghostwriters Week.

Many celebrities and even famous writers use “ghosts” for their books, but many more business professionals than you might imagine do, too. “No matter what your profession, a well-crafted book or article can do amazing things for your career,” says Dawn Josephson, founder and President of Cameo Publications, a company whose editorial services include ghostwriting for business professionals and speakers. “You’ll gain credibility, positioning, and profits, even if you’ve not yet developed the idea beyond the ‘scribbles on a cocktail napkin’ stage.”

Depending on the length of the work to be ghostwritten, ghostwriters interview clients for as little as an hour or as long as two days to determine the work’s target audience and purpose, and to structure an outline of key ideas. In the case of a book, clients receive constant communication with the ghostwriter, who sends chapters for approval as the work progresses. “You receive a completed manuscript in a matter of a few months,” says Gail Westerfield, an editorial specialist at Cameo. “And when you’ve been carrying the seed of a book around inside you for years, as most people have, it’s extraordinary to suddenly have it right in front of you, ready to show the world your great ideas.”

Because ghostwriters complete books in months, not years, and articles in days, not weeks, their clients’ ideas remain timely and relevant to the target audience. What’s more, with writing professionals to guide them through the writing process, clients find they can better organize their thoughts and formulate ideas more quickly. Ghostwriters know the publishing industry’s standards, too, so clients are more likely to receive favorable responses to their work.

Dawn Josephson, the Master Writing Coach™, is a professional speaker and internationally-acclaimed author who has ghostwritten 20 books and over 1,500 articles. She is the creator of The Ground Rules™ book series. Gail Westerfield has an extensive writing and editing background; she has ghosted dozens of articles and is currently at work on two books.

For more information, visit the Cameo Publications website at www.CameoPublications.com or contact David Josephson toll-free at 866-372-2636 or by email at david@cameopublications.com

Saturday, February 18, 2006

Make Achievable Writing Goals

Many writers make resolutions every year and see those goals roll down the drain. Include me in that list of writers who have repeatedly made that mistake of drawing impractical goals and blaming a variety circumstances for the eventual "bad luck". But there's always a chance to do better, right?

Just how do you make achievable resolutions? Here are some tips from the rabbit's hat:
  1. Determine your capabilities. Make sure you have a good chance of achieving that goal. If you plan to write 20 magazine articles a month, ask yourself if you have the means and the stamina to do so. If you plan to try screenwriting, make sure that you can pitch a good story and deliver the script on time to demanding movie producers.
  2. Keep the list short and simple. Don't make a grocery list of resolutions. You know you can't put everything in your cart on a single trip. Instead, list two to four goals and give enough time for each goal to be accomplished. This should help you focus on each goal each time and avoid the stress of seeing a long list of unchecked to-do's.
  3. Find inspiration. It's always good to know why we're striving for some things. Keep the inspiration in your heart and mind and you will find yourself saying "Bring it on!" to all of life's struggles.

Thursday, February 16, 2006

You deserve a good pat on the back

If you're one of those writers who are currently stumped and could use a good pat on the back, try reading inspirational books on writing. Here's a few:

1. Writing Down the Bones by Natalie Goldberg
2. The Right to Write by Julia Cameron
3. The Forest for the Trees: An Editor's Advice to Writers by Betsy Lerner

Have fun reading! Meanwhile, do let us know if you have other inspirational writing books to recommend.

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